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copyright

united states

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public domain

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Disney has bid farewell to the copyright protection of the early version of Mickey Mouse, famously known for his debut in the 1928 short film Steamboat Willie. The 95-year term granted under U.S. copyright laws has finally expired, paving the way for this iconic character to enter the public domain. As the copyright curtain falls, it opens up a world of possibilities, bringing both excitement and apprehension among fans and industry experts alike.
The Copyright Landscape In The U.S.
<img src="https://r2.myc.my/ff770cac27c0d74298a87678bad0d387e79a5d72576f7e87326031f0965f3b11" alt="" width="422" height="336" /> Early version of Mickey Mouse in Steamboat Willie (1928)
The foundation of U.S. copyright laws lies in the Constitution, empowering Congress to promote the progress of science and the useful arts by securing the exclusive right of authors and inventors to their respective writings and discoveries for a limited time. This constitutional mandate led to the Copyright Act of 1790, marking the birth of copyright laws in the United States.
Over the years, the duration of copyright protection has seen several modifications. The Copyright Act of 1976 established a copyright term of life plus 50 years, but in 1998, the Copyright Term Extension Act (CTEA) extended the term to life plus 70 years or 95 years for corporate works. 
This extension aimed to balance providing creators with adequate protection and ensuring the eventual entry of works into the public domain.
Mickey Mouse's journey to the public domain is not unprecedented. When Steamboat Willie made its debut in November 1928, U.S. legislation initially stipulated that it would transition into the public domain no later than 1984. 
However, the trajectory changed due to the enactment of two distinct laws&mdash; one in 1976 and another in 1998&mdash; extending the maximum copyright term by twenty years each.&nbsp;
Notably, these extensions resulted from vigorous advocacy efforts by Disney. The latter law, known mockingly as the Mickey Mouse Protection Act, specifically, the Copyright Term Extension Act, played a significant role in prolonging the copyright protection for iconic characters.
<img src="https://r2.myc.my/ef8026cb136129831d7cf7029f9d96184a0d08b0b697ab0a74aa93d2b1f1f547" alt="" width="289" height="299" /> This modern version of Mickey Mouse is still under copyright protection
The Public Domain Chronicles
<img src="https://r2.myc.my/9eaca8955b2e6307b13598ccb57130fc1e1a462a234c900ded8a1169b12be3af" alt="" width="436" height="402" /> An early version of Winnie the Pooh and Bambi
Mickey Mouse's journey to the public domain is not unprecedented. In 2022, beloved characters like Winnie the Pooh and Bambi also entered the public domain, unleashing a wave of creativity and reinterpretation. 
Once a work enters the public domain, it means that the intellectual property rights have expired or been forfeited, allowing anyone to use, adapt, and distribute the work without seeking permission or paying royalties.
Created by A.A. Milne, the honey-loving bear made his literary debut in 1926. Fast forward to 2022, and the original Winnie the Pooh stories entered the public domain, unlocking a treasure trove of creative possibilities. With the entry of Winnie the Pooh into the public domain, artists and writers seized the opportunity to reimagine the beloved characters.&nbsp;
Independent filmmakers crafted short films, illustrators created new visual interpretations, and authors penned original stories inspired by the timeless charm of the Hundred Acre Wood. This renaissance paid homage to Milne's creations and breathed fresh life into the characters for contemporary audiences.
With Winnie The Pooh entering the public domain, Rhys Frake-Waterfield, writer/director, took the chance to release his low-budget slasher film, Winnie the Pooh: Blood And Honey, earlier last year. 
While the public was shocked with the mature version of Winnie the Pooh compared to what they&rsquo;re used to, Rhys&rsquo; move was completely legal since the beloved character is now in the public domain &ndash; free for all to use.
<img src="https://r2.myc.my/3fe946e461291652db7110b6f3b8480b7aa8969cb920f689c7bff7e9b183c2e8" alt="" width="504" height="448" /> Winnie the Pooh: Blood And Honey (2023)
The Broader Implications Of Copyright Expiration
<img src="https://r2.myc.my/ddcc14e0b1ab09c212567c82391b764351be689a51bbec401c9e7ae6238bfc17" alt="" width="453" height="465" />
The expiration of copyright terms extends beyond the realm of animated characters. It impacts literature, music, film, and various other creative domains. As works enter the public domain, they become cultural assets, providing a rich tapestry for future generations to explore and build upon. 
Though admittedly, it is hard to navigate the realm of copyright as the public is divided into two &ndash; the one who supports creative works should be protected for the sake of its creators and the one who champions easily accessible works for innovation. This reflects a delicate balance between protecting the rights of creators and promoting the public interest.
The future of Mickey Mouse is now on the balance as it steps into the public domain &ndash; the possibilities are boundless. Independent filmmakers, animators, and artists now have the chance to explore new narratives, styles, and interpretations of this timeless character. Fan communities may flourish, creating a vibrant ecosystem of Mickey-inspired content.
On the flip side, Disney faces the challenge of maintaining control over its iconic mascot. While the 1928 version of Mickey Mouse is now freely available for creative expression, Disney's modern iterations and adaptations remain under copyright protection. The company must navigate this dynamic landscape carefully to ensure its brand and the character's legacy are not compromised.
You can read the full list of creative works that went into the public domain <a href="https://web.law.duke.edu/cspd/publicdomainday/2022/">here.</a>
As we witness this new chapter unfolding in Mickey Mouse's journey, one thing is certain &ndash; the magic of this beloved character will continue to captivate audiences, whether through nostalgic reimaginings or innovative, contemporary adaptations. The public domain offers a canvas for creativity, and only time will reveal the diverse and imaginative ways Mickey Mouse will be rediscovered and celebrated by generations to come. So, let&rsquo;s keep our eyes open to what&rsquo;s in store for Mickey Mouse!
What are your thoughts on this? Let us know in the comments!
*Sources: Visual and Reference Credits to The New York Times &amp; various cross-references for context.
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Disney Loses Rights To Early Mickey Mouse As Copyright Expires: What Happens Next?

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Pizza hut Meltz 2026

The demolition of a controversial four-storey building in Hulu Langat, believed to have been occupied by foreign residents including members of the Rohingya community, has been approved but is still awaiting funding from the Selangor state government.
Hulu Langat Member of Parliament Mohd Sany Hamzan said the operation, estimated to cost around RM600,000, cannot proceed immediately as several legal and administrative procedures must first be completed.
According to him, the Land Office has already submitted the necessary paperwork to the state government, and demolition works will only commence once the allocation is approved.
He added that the case has been raised repeatedly at district, state and federal levels, including discussions with the Inspector-General of Police and the National Security Council (NSC).
The MP also emphasised that enforcement agencies such as the Immigration Department have conducted multiple operations in the area over the years, although overcrowding in detention centres remains a major challenge, costing the government approximately RM90 per detainee per day.
Legal Procedures and Complex Constraints
&nbsp;<img src="https://r2.myc.my/fb4b284f3a8347be0da1df1106ad5bdc2c42a4e3f01e372df2392ffc6f9e3916" />
Sany stressed that the issue is far more complex than it appears publicly, stating that demolition cannot be carried out simply upon discovery.
He explained that the process must comply with the Street, Drainage and Building Act 1974 (Act 133), along with other legal requirements involving multiple agencies.
He also clarified that only a small number of families remain in the vicinity, according to local authorities, and said that some of the viral footage circulating online is outdated.
At the same time, he urged the public to verify information with official sources, noting that several government bodies, including the Kajang Municipal Council and Land Office, have already issued statements on the matter.
Sany also highlighted the humanitarian aspect of the Rohingya issue, stating that unlike migrants from some other countries, repatriation for Rohingya individuals is far more complex.
&ldquo;If we arrest them, detain them and send them back, the outcome is death. That is the reality,&rdquo; he said, adding that the issue carries international implications and must be handled carefully.
He further called for cooperation from local communities and village leaders in reporting suspicious activities, while stressing that the matter requires a long-term, coordinated solution rather than piecemeal action by individual constituencies.
Criminologist: Legal Gaps and Coordination Issues Fuel Confusion
&nbsp;<img src="https://r2.myc.my/92cd45f4de75aec1c06750b8803609aa1002c2f36fe6945fcb1c78741a6b0e0c" />
Criminologist Kamal Affandi Hashim has argued that public frustration over the Hulu Langat &ldquo;foreigner flat&rdquo; should not be directed solely at enforcement agencies, but rather at structural weaknesses in the legal and administrative system.
He explained that enforcement bodies are bound by existing laws and cannot act beyond what is explicitly permitted.
&ldquo;Many people are quick to level accusations without objectively examining the legal basis that governs any action authorities intend to take,&rdquo; he said.
According to him, overlapping responsibilities between different agencies often result in delays or assumptions that another department has already acted, creating confusion and inefficiencies.
He stressed that stronger inter-agency coordination is essential to prevent misinformation and public misunderstanding.
&ldquo;There are circumstances that require legislative reform, especially where jurisdiction between courts and administrative officers overlaps,&rdquo; he added.
Kamal also suggested that certain enforcement powers could be streamlined, proposing that local authorities such as mayors or district council presidents be given clearer authority to order demolitions directly, in order to speed up action against illegal structures.
However, he cautioned that transparency is equally important, noting that a lack of communication allows speculation and mistrust to grow.
&ldquo;Not every delay stems from incompetence or corruption. Sometimes the law itself limits what can be done,&rdquo; he said.
He also questioned why the matter had not been more prominently addressed earlier in Parliament by local representatives, suggesting that clearer explanations could have prevented public misconceptions.
State Government and Authorities Step In
&nbsp;<img src="https://r2.myc.my/49185fca5ff30322507d1e60240c0fa84e76da0522ad9602009f4b66b56f9568" />
Separately, Selangor Menteri Besar Datuk Seri Amirudin Shari confirmed that a series of enforcement actions have been carried out since 2016 involving multiple government agencies.
These include warning notices, compound fines, investigations and coordinated operations targeting the structure and surrounding area.
He reiterated that demolition works will be carried out in accordance with the law once all procedures are completed.
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Meanwhile, the Ministry of Housing and Local Government has clarified that the structure is not under strata management and therefore falls outside its jurisdiction, leaving responsibility to the state government.
Land Status, Enforcement History and Ongoing Action
<img src="https://r2.myc.my/d9da0fe660b467b956dd11ca9bdf4b815456cee74885091ee0abaf69bf2fbe6d" />
According to the Hulu Langat District and Land Office, the structure is partially built on privately owned land, with other sections encroaching on road and river reserves.
Authorities confirmed that demolition will proceed as the building is considered an unauthorised structure under current regulations.
Records show that enforcement actions have been ongoing for years, including multiple notices issued under Section 425 of the National Land Code in 2017, 2020, 2021 and most recently in March 2025.
A major integrated operation was also conducted in 2017 involving several agencies, including the Royal Malaysia Police (PDRM), Kajang Municipal Council (MPKj), the Department of Irrigation and Drainage (JPS), Tenaga Nasional Berhad (TNB), and the Selangor Water Management Authority (LUAS).
Further enforcement actions have included compounds issued by MPKj between 2016 and 2021, as well as investigations under the LUAS Enactment 1999.
In addition, immigration operations have resulted in the detention of foreign nationals suspected of offences under the Immigration Act 1959/63.
A Long-Standing Issue Still Awaiting Resolution
While demolition of the Hulu Langat structure is now confirmed in principle, the case highlights the complexity of balancing legal enforcement, inter-agency coordination, humanitarian considerations and public perception.
Authorities maintain that action is ongoing, but final execution remains dependent on funding approval and completion of procedural requirements.
The issue continues to draw attention as both a legal and social challenge, reflecting broader questions about enforcement powers, governance coordination and long-term policy solutions for informal settlements involving foreign communities in Malaysia.
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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Demolition will have to wait until RM600,000 in funding is approved.

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Hulu Langat ‘Rohingya Flat’ Set For Demolition Pending State Funding Amid Ongoing Legal And Enforcement Debate

Chinese dancer Wu Yufei and eight humanoid robots have taken the internet by storm after delivering a spectacular synchronised performance on the season premiere of America&rsquo;s Got Talent (AGT), earning unanimous approval from the judges and captivating audiences around the world.
Performing to Lady Gaga&rsquo;s Abracadabra, the act combined cutting-edge robotics with impressive choreography as the robots danced in perfect harmony alongside the 26-year-old performer. The routine, which featured precise movements and acrobatic flips, received a standing ovation and quickly went viral across social media.
One audience member could even be heard shouting, &ldquo;That was crazy!&rdquo; while the judges praised the performance as &ldquo;absolutely spectacular&rdquo; before sending Wu through to the next round of the competition.
<iframe src="https://www.youtube.com/embed/y7ojRmPxqNg" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>
A Perfect Blend Of Dance And Technology
<img src="https://r2.myc.my/d7792ad10de0a763ac46b63e72a3cde68d3709f33501e66366f23fa4560d6a93" />
The performance began with Wu, who performs professionally under the name &ldquo;Flying Bug&rdquo;, taking to the stage alone. Moments later, eight Unitree G1 humanoid robots slowly marched into view, surprising both the audience and judges before seamlessly joining him in a carefully choreographed routine.
As the music built, the robots executed synchronised gestures, spins and even somersaults with remarkable precision, moving almost as naturally as their human counterpart. Their rhythm and coordination left many in the audience visibly stunned, with some wondering how the machines were being controlled.
Judge Simon Cowell described the act as &ldquo;nuts, but brilliant&rdquo;, while Sof&iacute;a Vergara praised both the robots and Wu&rsquo;s dancing, saying she had never seen anything quite like it.
At the end of the performance, Wu jokingly revealed that one of the robots was named &ldquo;Jackie&rdquo; because of its kung fu-inspired personality, drawing laughter from both the judges and audience.
The Dancer Behind The Viral Moment
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Although the robots stole much of the spotlight, Wu Yufei is an accomplished performer in his own right.
Originally from Sichuan, China, he studied broadcasting and hosting before establishing himself as one of the country&rsquo;s top street dancers. He previously competed in Street Dance of China 2 and won the 2018 World Elite Dance Finals championship.
Wu specialises in bone-breaking dance, a style that relies on extraordinary flexibility and contortion-like movements to create the illusion that joints are bending beyond normal limits. His distinctive style paired perfectly with the robots&rsquo; mechanical precision, creating a performance unlike anything typically seen on talent shows.
Global Attention For Unitree Robotics
&nbsp;<img src="https://r2.myc.my/7e879768c1af63671050e7ff9572881a54b434c029587972c4b92c4d252a9199" />
The humanoid robots featured in the performance were confirmed to be Unitree Robotics&rsquo; G1 models, developed by the Hangzhou-based company that has rapidly become one of China&rsquo;s leading robotics manufacturers.
Following the AGT broadcast, clips of the routine spread rapidly online, attracting millions of views and praise from viewers across the globe. Many described it as one of the most original performances ever seen on the programme, with some saying it deserved the coveted Golden Buzzer.
For many American viewers, it was also their first close-up introduction to advanced Chinese humanoid robotics outside of technology exhibitions or news reports.
The television appearance comes at an important time for Unitree, which is preparing for a listing on the Shanghai Stock Exchange and aims to raise 4.2 billion yuan (approximately RM2.52 billion) to support research, product development and manufacturing expansion.
The company&rsquo;s international growth has also been impressive. More than 40 per cent of its revenue now comes from overseas markets, while reports indicate it recorded a 335 per cent year-on-year increase in revenue, highlighting growing global demand for its products.
Politics And Robotics Collide
<img src="https://r2.myc.my/8eb4f252184239931696f652319e17c7fb5df42b2ef4af056dc6272d0f704297" />
Despite the overwhelmingly positive public response, the performance arrives amid increasing political scrutiny of Chinese robotics companies in the United States.
Shortly after the AGT episode aired, bipartisan lawmakers introduced the Guarding the US Against Adversarial Robotics Dominance (GUARD) Act, which seeks to review Chinese-made humanoid and quadruped robots over potential national security concerns.
Another proposal, known as the American Security Robotics Act, would prevent US federal agencies from purchasing or operating humanoid robots manufactured by Chinese companies.
Supporters argue that advanced robotics could present security risks, while industry experts warn that such measures could politicise a rapidly evolving commercial sector and hinder innovation.
Some analysts believe restrictions may also fragment the global robotics industry, making collaboration and technological progress more difficult while increasing costs for businesses and consumers.
A Showcase Of The Future
<img src="https://r2.myc.my/8023e0901ca59a14dd7946fdb5894f582fd0fa282c3c25f2e64163fe3c328241" />
Beyond the political debate, the AGT performance demonstrated how far humanoid robotics has advanced in recent years. Rather than appearing as rigid machines, the Unitree G1 robots displayed fluid movement, impressive balance and the ability to perform alongside a professional dancer with astonishing accuracy.
Experts believe appearances like this help familiarise the public with robotics technology and could accelerate wider acceptance of humanoid machines in entertainment, education and other industries.
However, challenges remain for Chinese robotics firms looking to expand globally. Building overseas support networks, finding local partners and developing practical real-world applications will all be crucial for long-term success.
Even so, Wu Yufei and his robotic dance partners have already achieved something significant. Their performance not only entertained millions but also offered a glimpse into a future where humans and machines can share the stage in ways once thought impossible.
For one unforgettable night on America&rsquo;s Got Talent, eight humanoid robots proved they could do much more than simply walk and talk&mdash;they could dance their way into the hearts of audiences around the world.
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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Chinese Humanoid Robots Wow America’s Got Talent Audience With Viral Dance Performance

Malaysians who are used to paying their Employees Provident Fund (EPF) contributions over the counter will soon have to make the switch to digital alternatives.
Starting 1 July 2026, the EPF will officially close all contribution payment, or remittance, counters at its offices across the country as part of its ongoing efforts to modernise its services and encourage greater adoption of online platforms.
However, the agency has stressed that the closure only affects payment counters, with all other customer service counters continuing to operate as normal.
A Move Towards Digital Convenience
<img src="https://r2.myc.my/c646e99378c517d4fdd78b3b3fd68e14d210f13b4c1cd21a1fdc203b9dcc3078" />
The decision marks another major step in EPF's transition towards a more digital-first ecosystem, reflecting a wider trend among government agencies and financial institutions to streamline services through technology.
According to EPF, members and employers will still have plenty of options to make their contribution payments without needing to visit a physical payment counter.
Alternative payment methods include:
<ul>
<li>The KWSP i-Akaun mobile application</li>
<li>Internet banking platforms</li>
<li>Authorised bank agent counters</li>
<li>EPF Self-Service Terminals (SST)</li>
<li>Mobile KWSP Team and Relationship Advisory (RA) services</li>
</ul>
The organisation believes these channels provide secure, accessible and efficient ways for contributors to complete their transactions while reducing reliance on manual counter services.
Employers Encouraged To Use i-Akaun
&nbsp;<img src="https://r2.myc.my/25deebb7ede860bc1cd530e4fc898d646d5bfa731c5784ddf559802c35634d76" />
For employers, EPF is recommending the use of the i-Akaun (Employer) portal for contribution payments.
The portal is designed to simplify the payment process, minimise administrative delays and ensure contributions are processed more smoothly.
As more employers adopt digital systems for payroll and statutory payments, EPF hopes the platform will become the primary channel for contribution submissions going forward.
No Impact On Contribution Payments
&nbsp;<img src="https://r2.myc.my/386e5402c8cb3fb6dc9b1656b5a2241821360c36bd60c57c91753d7e31adc9ac" />
Despite the closure of payment counters, EPF has assured members that their ability to make contributions will not be affected.
The retirement fund emphasised that the transition has been carefully planned to ensure contributors continue to have multiple convenient payment options available.
Anyone visiting an EPF branch for enquiries, account-related matters or other services will still be able to do so, as only the remittance counters are being discontinued.
Part Of A Wider Digital Transformation
The move reflects Malaysia's growing embrace of digital financial services, which accelerated significantly following the COVID-19 pandemic as consumers and organisations became increasingly comfortable with online transactions.
By shifting contribution payments away from physical counters, EPF aims to improve operational efficiency while providing members with faster and more flexible ways to manage their accounts.
The organisation reiterated its commitment to continuously enhancing its service delivery and ensuring transactions remain secure, seamless and easily accessible for both members and employers.
With the 1 July implementation date approaching, contributors who still rely on over-the-counter payments may want to familiarise themselves with the available digital alternatives to ensure a smooth transition.
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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Members and employers will now have to make EPF contribution payments via digital platforms, bank channels, self-service kiosks or EPF mobile services instead.

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EPF To Close All Contribution Payment Counters Nationwide From 1 July As It Shifts Towards Digital Services

The Kuala Lumpur International Mobility Show (KLIMS) 2026 is officially underway, giving Malaysians the chance to explore the latest developments in the automotive industry, from electric vehicles and hybrids to futuristic prototypes that could shape the next generation of transportation.
Held at the Malaysia International Trade and Exhibition Centre (MITEC) from 12 to 21 June, the event has attracted thousands of visitors eager to see what manufacturers have planned for the future. While several new production models are already available for booking or purchase, one vehicle in particular has become the centre of attention for an entirely different reason.
Perodua&rsquo;s C2 Steals The Spotlight
<img src="https://r2.myc.my/bbe7698b12d2b53ccac528e1f3fec51cc64c1c5e62fa50a8ff1f8d6e76cb0468" />
Among the biggest highlights at KLIMS is Perodua&rsquo;s new C2 Concept, a dramatic-looking electric sedan prototype that represents the second chapter of the national carmaker&rsquo;s EV ambitions.
Unlike Perodua&rsquo;s previous concepts, the C2 introduces an entirely fresh design language with sweeping body lines, sharp lighting signatures inspired by the traditional bunga pecah lapan motif and a highly futuristic cabin. The prototype is also packed with advanced technology, including AI-assisted driving features, real-time navigation, charging station integration, anti-theft functions and assisted parking.
The vehicle also showcases Perodua&rsquo;s P-Circle digital ecosystem, allowing seamless connectivity between the car and services such as e-wallet functions and genuine parts support.
While the company has hinted that the C2 could influence future production models and potentially inspire a next-generation sedan, it remains exactly what its name suggests &mdash; a concept.
&ldquo;Which Planet Is This Going To?&rdquo;
<img src="https://r2.myc.my/a94462db92bc2da629e9ed8bf77007529035ca53aa09c0fbc951832e63fa3eb8" />
Despite its technological ambitions, many Malaysians online appeared more puzzled than impressed.
Photos and videos of the C2 quickly spread across social media, with users joking that the vehicle looked more suited for space travel than Malaysian roads. Others questioned whether it was even meant to be driven, while some compared it to something straight out of a science fiction film.
Comments ranged from humorous remarks asking which planet it was designed for to genuine confusion over whether Perodua intended to release such a radical-looking vehicle to the public.
The reactions highlight a common misconception surrounding concept cars: many people assume they are previews of vehicles that will soon appear in showrooms, when in reality that is rarely the case.
Here&rsquo;s some of the comments:
<img src="https://r2.myc.my/750af4d794869a196ec1c7e428f814af2317ef42b33b0213557dc6dd5e96e34b" />
What Exactly Is A Concept Car?
<img src="https://r2.myc.my/80fd1538b8329a8c27f41947c21f15abc8b7dec93c8db7994f95e0d5939d43ad" />
Concept cars exist primarily to showcase ideas rather than finished products.
Manufacturers use them to experiment with bold styling, cutting-edge technology and new design philosophies without worrying about production costs, regulations or practicality. They also serve as a way to gauge public reaction and identify which elements people like before incorporating selected features into future road-going models.
In many cases, only a handful of design cues or technologies survive the transition from concept to production, while the more extravagant elements never leave the exhibition floor.
Essentially, concept cars allow designers and engineers to push creative boundaries and imagine what mobility could look like years into the future.
Plenty Of Famous Concepts Never Made It To Production
<img src="https://r2.myc.my/26a29cdb6374ddb8ad670d02349ab5f01fe4c6b4de49953482cf67c9df763899" />
The automotive world is filled with stunning concept cars that generated excitement but never became reality.
One of the most famous examples is the Cadillac Cien, a mid-engine supercar unveiled in 2002 that stunned audiences with its futuristic design but never entered production.
Similarly, the Mazda Furai became an instant fan favourite thanks to its race-inspired styling and rotary engine technology, yet it remained a one-off concept after the prototype was destroyed in a fire.
Even major manufacturers such as Mercedes-Benz, BMW and Toyota have unveiled countless futuristic concepts over the decades that were never intended to be sold, instead serving as platforms to demonstrate innovation and inspire future designs.
In that sense, Perodua&rsquo;s C2 follows a long-standing automotive tradition rather than breaking new ground.
A Conversation Starter For Malaysia&rsquo;s EV Future
Whether Malaysians love it or laugh at it, the C2 has undoubtedly succeeded in generating discussion about Perodua&rsquo;s future direction.
The concept also arrives at a time when the company&rsquo;s first electric vehicle, the QV-E, is still finding its footing in the market. Despite the anticipation surrounding its launch, the model has reportedly recorded only 182 units sold as of 12 June 2026, making it a relatively rare sight on Malaysian roads for now.
That makes the C2 less about immediate sales and more about signalling where Perodua hopes to go next. By showcasing ambitious technology and daring design choices, the company is inviting the public to imagine what future Malaysian-made electric vehicles could become.
While opinions on the styling remain divided, one thing is certain: the C2 has become one of KLIMS 2026&rsquo;s biggest talking points, proving that sometimes the purpose of a concept car is not to be practical, but simply to get everyone talking.
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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While the C2 concept is bold, it’s worth remembering that this isn’t necessarily what the final production vehicle will look like.

e784f94abc4a70023301f741b9614fddf309fd3fea2d35d4fc5339265bc4a8f6

Malaysians Can’t Stop Talking About Perodua’s Futuristic C2 – But Many Are Missing The Point Of A Concept Car

Prime Minister Datuk Seri Anwar Ibrahim has ordered a nationwide crackdown on foreigners who allegedly misuse tourist and student visas to operate businesses in Malaysia, warning that such activities could undermine local livelihoods and create unfair competition for Malaysian entrepreneurs.
Speaking at the Communications Ministry&rsquo;s monthly assembly in Putrajaya, Anwar said the government is increasingly concerned about foreign nationals entering the country on visitor or student passes before engaging in commercial activities, particularly within the micro, small and medium enterprise (MSME) sector.
Concerns Over Businesses Operating Under Tourist Visas
&nbsp;<img src="https://r2.myc.my/6819c89459373b767b34763707bdcf9a2520b353e28084618d33bd8947b8162f" />
According to Anwar, authorities have identified cases where foreigners arrive in Malaysia under the guise of tourism but subsequently run businesses ranging from vehicle repair workshops and air-conditioning services to coffee shops and other small enterprises.
He noted that some individuals are believed to be using licences or permits registered under Malaysian citizens&rsquo; names, while others legally establish companies but rely almost entirely on imported goods and workers from their home countries, limiting opportunities for local businesses and employees.
The Prime Minister warned that these practices could have a direct impact on job opportunities for Malaysians while placing compliant local traders at a competitive disadvantage.
Coordinated Nationwide Enforcement
&nbsp;<img src="https://r2.myc.my/c52804e01e8f3ce1f4ebde203d9d199934114de7faee0f42cafe72265bc0e983" />
In response, Anwar has instructed multiple government agencies to work together to strengthen enforcement efforts rather than relying on isolated operations.
Among the agencies involved are the Immigration Department, Inland Revenue Board (IRB), Royal Malaysian Customs Department, Ministry of Domestic Trade and Cost of Living (KPDN), local authorities, Bank Negara Malaysia (BNM), the Malaysian Communications and Multimedia Commission (MCMC) and other relevant bodies.
He stressed that enforcement should be immediate and comprehensive, with authorities ensuring that businesses comply with licensing requirements, immigration laws and tax obligations.
The Immigration Department has been tasked with tackling visa and permit misuse, while the IRB and Customs Department will focus on ensuring taxes are properly paid.
E-Commerce and Money Trails Under the Spotlight
<img src="https://r2.myc.my/bed73fd319b780b933601708b31e68af754932193220e557e9cdc4af8cc0f050" />
The government is also expanding its attention beyond physical businesses to include digital platforms.
Anwar said Bank Negara Malaysia and MCMC should closely examine e-commerce activities and financial transactions, including potential money laundering elements, to identify businesses operating outside legal requirements.
The move reflects a broader shift towards data-driven enforcement, with authorities expected to utilise digital tools and artificial intelligence to track suspicious activity, monitor money flows and identify business networks that may be operating through proxy arrangements.
Protecting Local Businesses and Economic Fairness
<img src="https://r2.myc.my/1319cfec514eb899069f69bec9feb9f7e1edcb0735a6e7e4f3b64d8ef52a9b44" />
The issue has become a growing concern as analysts warn that unlicensed or improperly registered foreign-run businesses may enjoy structural advantages by avoiding taxes, reducing operating costs or sourcing cheaper labour and supplies from overseas.
Such practices could make it increasingly difficult for legitimate Malaysian businesses, particularly SMEs, to compete fairly despite complying with regulations and contributing to the local economy.
Experts also caution that prolonged abuse of immigration rules could contribute to an expanding informal economy while weakening regulatory oversight and economic sovereignty.
At the same time, observers emphasise that enforcement should distinguish between illegal operators and legitimate foreign investors, many of whom continue to play an important role in Malaysia&rsquo;s economic development through investment, innovation and job creation.
Public Complaints Prompt Government Action
&nbsp;<img src="https://r2.myc.my/54e35d33f438bb04d62e29964a667f9a3593ab53be7f963a7b458f47a53ad8c1" />
Anwar acknowledged that concerns over foreign-run businesses have become increasingly widespread among Malaysians, with members of the public regularly raising the issue directly with him.
He said the problem cannot be solved by a single agency alone and requires coordinated action involving government departments, business associations, chambers of commerce and local trader groups.
The Prime Minister also called for stronger public participation by encouraging whistleblowing and reporting of suspected violations, while urging trader associations to cooperate with enforcement authorities instead of facilitating illegal activities.
Chief Secretary to the Government Tan Sri Shamsul Azri Abu Bakar has since pledged to mobilise the entire civil service machinery to support the initiative, describing it as necessary to protect Malaysia&rsquo;s economic interests and preserve a fair, transparent and integrity-driven business environment.
Government Aims to Balance Enforcement and Investment
While the government intends to take firm action against visa abuse and illegal business operations, officials have stressed that Malaysia remains committed to welcoming lawful foreign investment.
The objective, they say, is not to discourage legitimate international participation but to ensure that all businesses operate within the law, contribute fairly to the economy and compete on equal terms with local enterprises.
With multiple agencies now coordinating investigations into immigration compliance, taxation, licensing and financial activities, the government hopes the latest crackdown will address public concerns while safeguarding opportunities for Malaysian workers and business owners.
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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Malaysia is set to tighten enforcement against foreigners accused of misusing visitor and student visas to run businesses.

8b2ed2d45867b3c3c054b348edf437c313b2401b2687da153ed907c1351bef93

Anwar Orders Crackdown On Foreigners Misusing Tourist And Student Visas To Run Businesses In Malaysia

K-pop legends BIGBANG are officially set to return to Malaysia as part of their highly anticipated 2026&ndash;2027 world tour, marking a long-awaited moment for fans who have been waiting nearly a decade for their comeback to Kuala Lumpur.
The group will perform in the capital on 9 January 2027 (Saturday) at the TM Stadium Nasional (formerly Bukit Jalil National Stadium), as part of their global stadium tour celebrating their 20th anniversary.
Who Are BIGBANG?
&nbsp;<img src="https://r2.myc.my/7f70b6c889acf85257fc81f8928adea448eade0411a34e8e84250e1d8cfde9d8" />
BIGBANG is one of the most influential K-pop groups of all time, formed under YG Entertainment and debuting in 2006. Over the years, they have played a major role in shaping the global rise of K-pop through their distinct blend of hip-hop, pop, EDM and R&amp;B.
The group&rsquo;s most recognised members currently include G-Dragon, Taeyang, and Daesung, who continue to carry the BIGBANG legacy forward.
<iframe src="https://www.youtube.com/embed/AAbokV76tkU" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>
They are widely known for a catalogue of global hits such as &ldquo;Fantastic Baby,&rdquo; &ldquo;Bang Bang Bang,&rdquo; &ldquo;Haru Haru,&rdquo; &ldquo;Loser,&rdquo; and &ldquo;FXXK IT.&rdquo; Their music has earned them numerous awards across Asia, including major honours at the Mnet Asian Music Awards (MAMA) and recognition for their influence on global pop culture.
With their bold sound, trend-setting fashion and high-energy performances, BIGBANG are often credited as one of the groups that helped take K-pop into the international mainstream.
Details of the BIGBANG 2026&ndash;2027 World Tour and KL Concert
&nbsp;<img src="https://r2.myc.my/229e0b64a397a8598947af05f417824dcdde15d13df224f74b2399867387ec70" />
The upcoming tour marks BIGBANG&rsquo;s first world tour since 2017, making it one of the most highly anticipated comebacks in the K-pop industry.
The tour will kick off in Seoul in August 2026, before travelling across major cities in Asia, North America, Europe and Australia. Stops include global entertainment hubs such as Tokyo, Paris, London, Oakland, as well as regional cities like Singapore, Bangkok, Jakarta, Taipei, Hong Kong and Hanoi.
Kuala Lumpur is confirmed as one of the key Asian stadium stops.
BIGBANG Kuala Lumpur Concert Details
&nbsp;<img src="https://r2.myc.my/1de5605903645ad75a4d3ff4e5004a78d1b2ebdad082e733d26fb20eba5a6d19" />
<ul>
<li>Date: 9 January 2027 (Saturday)</li>
<li>Venue: TM Stadium Nasional, Bukit Jalil</li>
<li>Tour: BIGBANG 2026&ndash;2027 World Tour (20th Anniversary)</li>
<li>Organiser: iMe Malaysia</li>
<li>Ticketing: To be announced</li>
</ul>
Concert organisers iMe Malaysia are expected to release further details on ticket prices, seating tiers and fan benefits in the coming months.
The tour is also part of BIGBANG&rsquo;s 20th anniversary celebrations, with new music reportedly expected to drop ahead of the tour.
Catch Their Coachella Performance and Stream on Spotify
<iframe src="https://www.youtube.com/embed/ysKRe-TuHzY" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>
Fans eager to relive BIGBANG&rsquo;s recent return to the stage can revisit their much-talked-about Coachella performance in April, which marked one of their most significant group appearances in years.
Their discography is also widely available on Spotify, where fans can stream classics and fan favourites spanning their entire career &mdash; from early hits to their most recent releases.
Whether it&rsquo;s nostalgic anthems or explosive stage performances, BIGBANG&rsquo;s music continues to attract both longtime VIPs and new listeners worldwide.
<iframe style="border-radius: 12px;" src="https://open.spotify.com/embed/artist/4Kxlr1PRlDKEB0ekOCyHgX?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="allowfullscreen" loading="lazy" data-testid="embed-iframe"></iframe>
Can&rsquo;t Wait to Catch Them Live
After years of anticipation and uncertainty, BIGBANG&rsquo;s return to Kuala Lumpur is shaping up to be one of the most significant K-pop concerts in recent memory. For Malaysian VIPs, it is more than just a show &mdash; it is a long-overdue reunion with one of the genre&rsquo;s most iconic groups.
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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K-pop legends BIGBANG will return to Malaysia on 9 January 2027 for their 20th anniversary world tour at TM Stadium Nasional.

Disney Loses Rights To Early Mickey Mouse As Copyright Expires: What Happens Next?

Oh, boy!

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