Nabil Luqman

0f9d2dd4f71434084e2b6094de1865e23abb37bb9f28ca51feeabee679ec9be2

Social

social media

United States

TikTok

Issue

Youth

Mental health

addiction

young users

Recently, a coalition of 14 state attorneys general from the U.S., including New York and California, has initiated lawsuits against TikTok, alleging that the popular short-video app misleads users about its safety and actively harms the mental health of teenagers. The lawsuits, filed separately in various state courts, accuse TikTok of intentionally using addictive software designed to keep users, especially younger audiences, engaged for prolonged periods. This alleged engagement model raises serious concerns about its impact on mental health.
Allegations of Addiction and Harmful Features
At the heart of these lawsuits is the claim that TikTok's advertising model relies on maximizing user engagement, particularly among vulnerable populations like teenagers. The attorneys general argue that the app employs several features that are inherently addictive. Notable among these are the endless scrolling capabilities, constant push notifications that come with built-in "buzzes," and beauty filters that promote unrealistic appearances. Attorney General Letitia James of New York stated, "TikTok claims that their platform is safe for young people, but that is far from true."
<img src="https://r2.myc.my/5bffa36ee8db15ac93a8f3ecde000f4e1af06413e09fb59a6fc5c6eac2d522a9" />
The legal actions also reference tragic incidents linked to dangerous TikTok challenges. For instance, a 15-year-old boy's death while "subway surfing," a trend popularized on the app, highlights the real-world dangers associated with such content. In addition, several other risky challenges, such as the "Kia Challenge," where users are encouraged to steal certain car models, are cited as further evidence of TikTok's failure to protect its users.
The coalition seeks not only to prevent TikTok from continuing its alleged harmful practices but also to impose financial penalties tied to the revenue generated from advertising targeted at teenagers. The lawsuits aim to hold the company accountable for purportedly prioritizing profit over the safety and well-being of its users.
TikTok's Response and Ongoing Concerns
<blockquote class="twitter-tweet" data-media-max-width="560">
Sen. Tom Cotton: "Have you ever been a member of the Chinese Communist Party?" TikTok CEO Shou Zi Chew: "Senator, I'm Singaporean. No." Cotton: "Have you ever been associated or affiliated with the Chinese Communist Party?" Chew: "No, senator. Again, I'm Singaporean." <a href="https://t.co/1pZaQ64Wxz">pic.twitter.com/1pZaQ64Wxz</a>
&mdash; NBC News (@NBCNews) <a href="https://twitter.com/NBCNews/status/1752761046593401197?ref_src=twsrc%5Etfw">January 31, 2024</a></blockquote>

<script async="" src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
&nbsp; A throwback to when Shou Zi Chew was questioned about his citizenship.
In response to the lawsuits, TikTok, which boasts more than 170 million users in the U.S., stated that many of the claims made are "inaccurate and misleading." The company asserts that it remains "deeply committed to the work we&rsquo;ve done to protect teens." Despite these reassurances, TikTok finds itself in a precarious position, embroiled in a federal child privacy lawsuit and facing potential divestiture due to national security concerns linked to its Chinese ownership.
The complaints filed by the attorneys general emphasize the algorithm at the core of TikTok's user engagement. This algorithm curates content specifically tailored to users' interests, fostering a cycle of compulsive consumption that can lead to negative psychological impacts. California Attorney General Rob Bonta noted, &ldquo;They&rsquo;ve chosen profit over the health and safety, well-being and future of our children,&rdquo; underlining the sentiment driving the legal actions.
Broader Implications and Legislative Actions
These lawsuits are part of a growing scrutiny of social media companies and their impact on youth mental health. TikTok is not alone in facing these challenges; similar legal actions were taken against Meta, the parent company of Instagram, last year for designing addictive features that harm children's well-being. The recent coalition of states takes a collective stand against what they perceive as a detrimental trend in social media practices. This coordinated effort resembles past campaigns against industries such as tobacco and pharmaceuticals, emphasizing the seriousness of the issue at hand.
The future of TikTok in the U.S. hangs in the balance, with a federal law enacted earlier this year compelling its parent company, ByteDance, to divest the app by early 2025 or risk a ban. Amid these legal challenges, additional states have filed briefs urging TikTok to comply with ongoing investigations. This pressure reflects a broader governmental effort to ensure accountability within the social media landscape.
Conclusion: The Call for Accountability
<img src="https://r2.myc.my/1cff53459c56de066d52703da5e64f89ffcb3f8ff0f0e11a64e1c3be97df1548" />
With nearly universal social media use among teenagers, the stakes have never been higher. Recent surveys indicate that frequent social media users report increased feelings of sadness and hopelessness. According to a survey conducted by the Centers for Disease Control and Prevention, high school students who frequently engage with social media are more likely to experience persistent feelings of sadness or hopelessness. The legal actions taken by state attorneys general aim to hold TikTok accountable for its practices and safeguard young users from potential exploitation and harm.
As these lawsuits unfold, they highlight a crucial need for transparency and responsibility among social media platforms in protecting the mental health of vulnerable users. The growing coalition of state attorneys general signifies a collective push towards a safer online environment for the youth, demonstrating the urgent need to address the impacts of social media on mental health and well-being. The outcomes of these lawsuits could reshape how social media platforms operate and enforce policies to prioritize user safety, particularly for young audiences.
While it&rsquo;s true that social media can be highly addictive, it's essential to recognize the thin line between healthy engagement and detrimental effects on the public. Instead of resorting to lawsuits or outright bans, a more constructive approach could be pursued. By finding a middle ground, TikTok could implement better content filtering and trend management while prioritizing users' mental well-being. Such measures could foster a safer online environment that benefits both the platform and its community.
What are your thoughts on this? Let us know in the comments.
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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Looks like the U.S. is taking significant steps to ban the app and protect its youth.

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TikTok Faces Legal Action Over Alleged Mental Health Risks For Youth

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Scentify

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Oatside

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Rohto

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In an unexpected legal defeat, Italian luxury car manufacturer Ferrari SpA has lost a trademark lawsuit against Malaysian beverage company Sunrise-Mark Sdn Bhd. The dispute centred on claims that the local firm&rsquo;s Wee Power logo, featuring two rearing horses, was too similar to Ferrari&rsquo;s world-famous &lsquo;Prancing Horse&rsquo; trademark.
The Legal Challenge Over Horses
&nbsp;<img src="https://r2.myc.my/90c45b4ba18b1f8ce77e4a6302e0fd0f94bcd95687c9aacf4584b5e4e53c8791" />
Ferrari initiated legal action through an originating summons in an attempt to overturn a 2024 decision by the Registrar of Trademarks. That decision had dismissed Ferrari&rsquo;s opposition to Sunrise-Mark&rsquo;s application, allowing the Wee Power mark to proceed towards registration.
The automaker argued that Sunrise-Mark&rsquo;s use of horses, specifically two rearing horses facing each other, could cause confusion among consumers, infringing on Ferrari&rsquo;s exclusive rights to its iconic single rearing horse symbol, famously seen on its sports cars, merchandise, and global marketing campaigns.
Ferrari also attempted to downplay the significance of the words &ldquo;Wee Power&rdquo; in the branding, asserting that the term &ldquo;Power&rdquo; had been disclaimed in the trademark filing, while &ldquo;Wee&rdquo; was allegedly too generic to carry any unique distinction.
Judge: Not All Horses Are Equal
&nbsp;<img src="https://r2.myc.my/143312a887ba19bd673e9700b00cd5b54c3a37103202c568839d51374f45f85e" />
However, the Malaysian High Court saw things differently. On 30 May, Judge Adlin Abdul Majid dismissed Ferrari&rsquo;s claims, finding that the similarities between the two trademarks were minimal at best.
&ldquo;The plaintiff&rsquo;s [Ferrari&rsquo;s] logo contains a single rearing horse, while the defendant&rsquo;s [Sunrise-Mark&rsquo;s] logo features two rearing horses positioned opposite each other,&rdquo; she said. &ldquo;In addition, there is a prominent letter &lsquo;W&rsquo; between the horses&rsquo; heads and the words &lsquo;Wee Power&rsquo; below them. It is a very different composition.&rdquo;
Judge Adlin accepted Sunrise-Mark&rsquo;s argument that &ldquo;Wee&rdquo; was a reference to the founder&rsquo;s name, Wee Juan Chien, rather than a nod to the English definition of the word. She remarked that it was improbable any brand would aim to market an energy drink suggesting &ldquo;very small power&rdquo;.
Different Industries, Different Consumers
Central to the court&rsquo;s decision was the fact that Ferrari and Sunrise-Mark operate in completely unrelated industries. The judge noted that Ferrari is entrenched in the luxury automotive sector, while Sunrise-Mark&rsquo;s business lies in the realm of consumable goods.
&ldquo;These are not competing markets, and it is highly unlikely that the plaintiff&rsquo;s customer base would overlap with the defendant&rsquo;s,&rdquo; she said. &ldquo;There is no reasonable likelihood that a consumer purchasing an energy drink would assume a connection with Ferrari&rsquo;s vehicles.&rdquo;
Judge Adlin firmly rejected the notion that the average Malaysian consumer would mistake the Wee Power logo for anything associated with Ferrari, regardless of the presence of horses in both designs.
Sunrise-Mark Free to Proceed With Trademark
<img src="https://media.tenor.com/hG84QGeAAvMAAAAM/mc-gregor-pay-up.gif" />
With Ferrari&rsquo;s lawsuit dismissed, Sunrise-Mark is now free to register and use its Wee Power trademark without legal hindrance. In addition to losing the case, Ferrari was ordered by the court to bear the legal costs.
Representing Ferrari were counsels PC Kok and Ng Pau Chze. Sunrise-Mark was represented by lawyers YY Ho and Amirah Najihah Ameruddin.
Ferrari&rsquo;s History of Aggressive Brand Protection
&nbsp;<img src="https://r2.myc.my/66cda4960af950aaeef270c41e9ff3f6ae3054ff0b27be1d7c5a6eadc80f2456" />
This case is just the latest example of Ferrari&rsquo;s fiercely protective stance over its brand image. The automaker has a long history of enforcing strict rules over how its logo and vehicles are used, extending even to celebrities.
In the past, Ferrari reportedly blacklisted pop star Justin Bieber after he modified one of their cars and failed to follow brand etiquette. Likewise, Canadian DJ Deadmau5 was served legal warnings over his custom-painted &ldquo;Purrari&rdquo;, a Ferrari 458 decorated with a Nyan Cat theme. The car was eventually stripped of its modifications after pressure from the company.
While Ferrari&rsquo;s desire to protect its identity is understandable, this Malaysian court ruling suggests that even powerful global brands must accept reasonable limits when it comes to trademark control, especially when dealing with fundamentally different industries.
What are your thoughts on this? Let us know in the comments. 
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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From blacklisting celebrities to suing energy drinks over prancing horses, Ferrari’s brand policing continues.

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Ferrari Loses Trademark Lawsuit To Malaysian Energy Drink Brand

K-pop royalty Super Junior is set to make a grand return to Malaysia in 2026 as part of their global Super Show 10 tour, marking their 20th anniversary in the music industry. The veteran boy band will perform live in Kuala Lumpur on 17 January 2026, at the Axiata Arena, much to the delight of their long-standing Malaysian fanbase.
The concert is part of a wider world tour that will see the group performing in 15 cities across Asia, the Americas, and Japan. This celebratory run also coincides with the release of their highly anticipated 12th studio album, scheduled to drop on 12 July 2025&mdash;their first full album in nearly three years.
The Kings of the Hallyu Wave Who Never Miss a Beat
&nbsp;<img src="https://r2.myc.my/ec2bf76dd11ed38bba1d97473b16f5d20d4229034715b300881276163d1da800" />
Debuting in 2005 under SM Entertainment, Super Junior stands as one of the most iconic and influential boy groups in K-pop history. Pioneers of the Hallyu Wave, the group&rsquo;s blend of talent, charisma, and longevity has left a lasting mark on the global music scene.
Originally debuting with twelve members and later expanding to thirteen with Kyuhyun, the current active lineup includes Leeteuk, Heechul, Yesung, Shindong, Eunhyuk, Siwon, Donghae, Ryeowook, and Kyuhyun. Former members Han Geng, Kibum, and Kangin departed between 2011 and 2019, while Sungmin officially stepped away from group activities in 2025.
<iframe src="https://www.youtube.com/embed/x6QA3m58DQw" width="560" height="314" allowfullscreen="allowfullscreen"></iframe>
Super Junior achieved a major breakthrough with their 2009 smash hit &ldquo;Sorry, Sorry&rdquo;, a track that not only swept domestic charts but also ignited a global frenzy, helping to propel K-pop into the international spotlight. Other signature hits such as &ldquo;Bonamana,&rdquo; &ldquo;Mr. Simple,&rdquo; &ldquo;No Other,&rdquo; and &ldquo;Sexy, Free &amp; Single&rdquo; further cemented their status as trailblazers of the genre.
The group&rsquo;s accolades speak volumes: 13 Mnet Asian Music Awards, 19 Golden Disc Awards, and even a Teen Choice Award for International Artist. Their live shows, known as &ldquo;Super Show&rdquo; tours, have attracted millions of fans across the globe, with Malaysia remaining a key stop throughout the years. Most recently, they performed at Kuala Lumpur&rsquo;s Axiata Arena in August 2024 as part of their Super Show Spin-off: Halftime tour.
After nearly two decades, Super Junior remains not only a household name but also a symbol of reinvention and consistency in the ever-evolving K-pop industry. With a dedicated fanbase known as ELF (Ever Lasting Friends), they continue to thrive&mdash;proof that legends don&rsquo;t fade, they evolve.
A World Tour Spanning Continents
&nbsp;<img src="https://r2.myc.my/ff579e61de5bbe372e8ea5327f4e6b3895990372824e27737a91f717e3fa8a1c" />
Super Junior&rsquo;s Super Show 10 will kick off with back-to-back performances in Seoul&rsquo;s KSPO Dome on 23 and 24 August 2025, before heading to major cities including Hong Kong, Jakarta, Manila, Mexico City, Lima, Santiago, Taipei, Bangkok, Nagoya, Singapore, Macau, and Kaohsiung. The tour will wrap up with a final stop in Saitama, Japan in March 2026.
The Super Show 10 dates are as follows:
<ul>
<li>August 2025 23&ndash;24: Seoul &ndash; KSPO Dome </li>
<li>September 2025 5&ndash;6: Hong Kong &ndash; AsiaWorld-Expo 13: Jakarta &ndash; ICE BSD </li>
<li>October 2025 4: Manila &ndash; SM Mall of Asia Arena 12: Mexico City &ndash; Palacio de los Deportes 14: Monterrey &ndash; Auditorio Banamex 16: Lima &ndash; Estadio San Marcos 18: Santiago &ndash; Movistar Arena </li>
<li>November 2025 15&ndash;16: Taipei &ndash; Taipei Dome 29&ndash;30: Bangkok &ndash; Impact Arena </li>
<li>December 2025 13&ndash;14: Nagoya &ndash; Aichi Sky Expo </li>
<li>January 2026 3: Singapore &ndash; Singapore Indoor Stadium 10&ndash;11: Macau &ndash; Galaxy Arena 17: Kuala Lumpur &ndash; Axiata Arena 24: Kaohsiung &ndash; Kaohsiung Arena </li>
<li>March 2026 7&ndash;8: Saitama &ndash; Belluna Dome</li>
</ul>
Ticketing details for the Kuala Lumpur concert have not yet been released, but the event is being organised by iMe MY, and further announcements are expected in the coming months.
A Tour for the Ages
&nbsp;<img src="https://r2.myc.my/2d54e8806a8d5d499b55ea45c528ff7bb267cdf7ee10a3ebe8907c120ac1cc38" />
The Super Show 10 tour is not just a milestone celebration&mdash;it&rsquo;s a tribute to the evolution of a group that has stayed relevant in the ever-changing K-pop landscape. While fans can certainly expect nostalgic performances of classic hits, the group also plans to showcase new material from their upcoming album, providing a mix of the old and new for loyal fans and fresh audiences alike.
As one of the few second-generation K-pop groups still actively touring and releasing music, Super Junior&rsquo;s longevity is a testament to their adaptability, talent, and global appeal.
What&rsquo;s Next for Super Junior Fans in Malaysia?
While fans eagerly await the official ticket launch for the January 2026 Kuala Lumpur concert, anticipation continues to grow on social media. The upcoming show promises to be a spectacular blend of music, choreography, and heartfelt fan moments&mdash;something Super Junior has perfected over the years.
If previous tours are anything to go by, Malaysian ELF (Ever Lasting Friends&mdash;the group&rsquo;s official fanbase) can expect an evening filled with high-energy anthems, interactive fan service, and memorable speeches that reflect on the group&rsquo;s 20-year journey.
So, whether you&rsquo;ve been following them since U and Don&rsquo;t Don or only recently discovered their catalogue, Super Show 10 is shaping up to be an unmissable experience for anyone who has ever danced along to a Super Junior track.
Stay tuned for ticketing updates and official seating plans&mdash;Super Junior&rsquo;s 20th anniversary celebration in Kuala Lumpur is bound to be one for the history books.
In the meantime, you can vibe to their music down below:
<iframe style="border-radius: 12px;" src="https://open.spotify.com/embed/artist/6gzXCdfYfFe5XKhPKkYqxV?utm_source=generator" width="100%" height="352" frameborder="0" allowfullscreen="allowfullscreen" loading="lazy"></iframe>
&nbsp;

After nearly two years, Super Junior returns to KL in 2026!

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Super Junior To Celebrate 20th Anniversary With ‘Super Show 10’ In KL!

What began as an ordinary morning on Monday (30 June), quickly spiralled into a large-scale security and traffic operation near the Menora Tunnel in Perak. At approximately 9.30am, a highway maintenance worker discovered a suspected explosive device while conducting routine landscaping work along Kilometre 265 of the North-South Expressway (PLUS), not far from Jelapang.
The maintenance supervisor, a 51-year-old man, was reportedly clearing vegetation when he noticed an object partially buried in the underbrush. Realising it resembled a military-grade explosive, he immediately informed the PLUS highway patrol unit, who then escalated the matter to the Royal Malaysia Police (PDRM).
Confirmation of a Mortar Bomb
&nbsp;<img src="https://r2.myc.my/277c5f588480819805ab86c406aa25ae06f35bc52cc8afafb0057d753003c42b" />
Upon inspection by bomb squad experts from the Perak Bomb Disposal Unit, it was confirmed that the object was indeed an old mortar bomb&mdash;likely a remnant from a past era, though its origins remain unclear. Such explosive ordnance, though rare, is occasionally uncovered in areas that may have seen military movement or exercises in previous decades.
Perak Police Chief Datuk Noor Hisam Nordin said the immediate response from both the police and PLUS personnel ensured the site was quickly secured and no civilians were put in harm&rsquo;s way.
&ldquo;Following the report, a team comprising personnel from the police, the highway patrol, and our bomb disposal unit was deployed for immediate assessment and containment. The situation was treated with utmost seriousness,&rdquo; he stated.
Controlled Detonation and Safety Radius
&nbsp;<img src="https://r2.myc.my/68ba92e61898cc7e19b7294e780090536635639b41cdaa9b2b54bc5b8f529e15" />
The bomb squad took nearly an hour to carry out the neutralisation of the device. A controlled detonation was performed with strict safety protocols in place. Authorities set a blast radius of up to 200 metres, clearing the surrounding area to ensure no lives or property were at risk during the procedure.
The successful disposal of the mortar shell prevented any casualties or damage, but not before significant disruption was caused along one of Malaysia&rsquo;s busiest highways.
<blockquote class="tiktok-embed" style="max-width: 605px; min-width: 325px;" cite="https://www.tiktok.com/@ubaneez/video/7521656362787458322" data-video-id="7521656362787458322">
<section><a title="@ubaneez" href="https://www.tiktok.com/@ubaneez?refer=embed" target="_blank" rel="noopener">@ubaneez</a> Unit Pemusnah Bom PDRM meletupkan bom lama yang dijumpai oleh pekerja PLUS selepas terowong menora menghala KL, bole dengar jugak bunyi letupan tu sikit&hellip;kami yang naik motor pun sangkut jugak la kan <a title="fyp" href="https://www.tiktok.com/tag/fyp?refer=embed" target="_blank" rel="noopener">#fyp</a> <a title="plus" href="https://www.tiktok.com/tag/plus?refer=embed" target="_blank" rel="noopener">#plus</a> <a title="pdrm" href="https://www.tiktok.com/tag/pdrm?refer=embed" target="_blank" rel="noopener">#pdrm</a> <a title="letupanbommenora" href="https://www.tiktok.com/tag/letupanbommenora?refer=embed" target="_blank" rel="noopener">#letupanbommenora</a> <a title="♬ original sound - Redzuan Mohd" href="https://www.tiktok.com/music/original-sound-Redzuan-Mohd-7521656393351318273?refer=embed" target="_blank" rel="noopener">♬ original sound - Redzuan Mohd</a></section>
</blockquote>

<script async="" src="https://www.tiktok.com/embed.js"></script>

PLUS Initiated Temporary Closure of Menora Tunnel Stretch
As a precautionary measure, PLUS Malaysia Berhad initiated a full closure of the Kuala Kangsar&ndash;Ipoh stretch of the North-South Expressway at 3.02pm. The move was essential to ensure the safety of road users while bomb disposal operations were underway.
Northbound traffic was diverted to the Ipoh Selatan Toll Plaza, while vehicles travelling south were redirected to the Kuala Kangsar Toll Plaza. The highway operator made the announcement via its official X (formerly Twitter) account, warning motorists of expected delays and advising them to use alternative routes where possible.
&nbsp;<img src="https://r2.myc.my/f0e46a17bb91cc2df35172abdee27f2c25da6acfdb64b184f5378d691817e4fc" />
The highway closure led to significant congestion along the affected stretch, particularly for southbound travellers. By mid-afternoon, traffic queues had grown to more than 15 kilometres, frustrating drivers and bringing traffic flow to a near standstill in certain sections.
Despite traffic management efforts and public advisories, thousands of motorists found themselves caught in the backlog. Authorities urged patience and caution, reminding road users to remain alert and follow all traffic diversion instructions for their own safety.
Gradual Reopening of Lanes
<img src="https://r2.myc.my/61b768f1c61d113a979e734308cb72a74cba8a619d04b85154fe8cb47398072b" />
After confirming that the area was safe and the explosive had been fully neutralised, PLUS began reopening the lanes in stages. Northbound lanes were the first to resume normal operations at 3.15pm, followed by full reopening of the southbound lanes by 3.44pm.
Perak police confirmed that the incident was handled without injury or damage and praised the efficient coordination between agencies that made the safe resolution possible.
Public Praise and Reassurance
<img src="https://r2.myc.my/66da0800b69d877a4306b68ff31faa59614bba00d2309ef65dcff4775ce42eca" />
The incident has drawn praise from members of the public, particularly for the quick thinking of the maintenance worker who initially reported the device, as well as the professionalism displayed by the authorities involved. Social media users commended the transparency of PLUS and the efficiency of the Royal Malaysia Police in handling what could have been a far more dangerous scenario.
Datuk Noor Hisam reiterated that public safety remains the top priority and reminded Malaysians to immediately report any suspicious objects to the authorities, rather than attempting to move or inspect them on their own.
Old Bombs, New Risks
This event is a reminder that even decades-old explosives can still pose significant threats. Malaysia, like many other countries with a history of military activity, occasionally sees the discovery of forgotten or buried ordnance. While most are inactive, bomb squads always operate on the assumption that any device could be live.
Authorities advise contractors, workers, and members of the public&mdash;particularly those involved in construction, agriculture, or landscaping&mdash;to be cautious and observant during field work.
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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The old mortar was safely neutralised — but the bigger concern remains: could there be more hidden in the area?

030eb280461d6da70a74d076d5ecb7a9bc79601162ddf3e739166d3c4613fc0c

Menora Tunnel Bomb Scare: Mortar Shell Discovery Triggers Traffic Chaos And Bomb Squad Response

Few roles in cinema are as iconic&mdash;and as burdened with expectation&mdash;as James Bond. For decades, playing 007 has been considered the peak of an actor&rsquo;s career, a role that guarantees international fame. But it also comes with an immense amount of scrutiny, legacy pressure, and public expectation.
That&rsquo;s exactly why Henry Golding, the Malaysian-British star best known for Crazy Rich Asians, isn&rsquo;t too keen on the idea. Speaking candidly during the red carpet premiere of his latest film, The Old Guard 2, Golding addressed speculation that he&rsquo;s in the running to become the next Bond&mdash;a topic he admits has followed him since his breakout performance in 2018.
&ldquo;A Nightmare Every Actor Has&rdquo;
&nbsp;<img src="https://r2.myc.my/9c90017f537956eccb5545c3d02c12086cb020e34d859becd510e63be7f3b97d" />
&ldquo;I think that&rsquo;s every actor&rsquo;s kind of nightmare,&rdquo; said Golding when asked about possibly succeeding Daniel Craig as 007. &ldquo;You&rsquo;re not just stepping into a role&mdash;you&rsquo;re stepping into a franchise that&rsquo;s been around for over 60 years, with some of the biggest names in cinematic history behind it.&rdquo;
His comment might sound surprising coming from a leading man who has been praised for his charisma and suaveness, qualities typically associated with Bond. But Golding made it clear that it&rsquo;s the weight of the role&mdash;not the role itself&mdash;that gives him pause.
&ldquo;There&rsquo;s this massive legacy hanging over it. You&rsquo;re not just expected to be good; you&rsquo;re expected to reinvent the character, to live up to what came before, and to somehow keep millions of fans happy.&rdquo;
Cultural Pressure and Fan Scrutiny
&nbsp;<img src="https://r2.myc.my/648a5a5b544fbfc4c329ff7788b90b258902ed951b98e3beac8029c4be50f214" />
While many actors would leap at the opportunity, Golding is refreshingly honest about the cultural pressures that come with it. &ldquo;Maybe I&rsquo;m just a p****,&rdquo; he said with a laugh. &ldquo;But I think I would love it so much more if there wasn&rsquo;t that overhanging cultural pressure.&rdquo;
He isn&rsquo;t wrong. Each new Bond actor has faced intense fan scrutiny before even stepping into the role. When Daniel Craig was cast, many fans baulked at the idea of a blond-haired Bond&mdash;until Casino Royale proved the doubters wrong. And that level of criticism hasn&rsquo;t gone away.
Golding&rsquo;s concern is understandable: in the age of social media and rapid fan reactions, any misstep would be amplified globally.
An Expanded Universe of Agents?
Rather than see Bond as the only option, Golding floated the idea of broadening the franchise&rsquo;s scope. &ldquo;Why can&rsquo;t they bring out more agents or more double-0s? That would be so much more fun,&rdquo; he said. &ldquo;There just aren&rsquo;t the same restraints and expectations.&rdquo;
It&rsquo;s an idea that has gained traction among fans and industry insiders alike. The Bond universe has long hinted at a wider world of agents&mdash;after all, James is 007, not 001. Golding&rsquo;s suggestion could breathe new life into the franchise while offering actors greater creative freedom.
A Franchise Slowly Opening Up
&nbsp;<img src="https://r2.myc.my/b4d57c92d03bc0f8a7cc387d7f5c214a1d527565b281c8bceadd00c9f9678bf7" />
Born in Malaysia and raised in the UK, Golding has also weighed in on the long-running conversation about diversity in the Bond franchise. &ldquo;Isn&rsquo;t it great that we&rsquo;re even having this conversation now?&rdquo; he told Attitude magazine in an earlier interview.
&ldquo;Why not a Black Bond, an Asian Bond, a mixed-race Bond, or a non-distinct Bond? We&rsquo;re at that point where we should stop asking &lsquo;if&rsquo; and start asking &lsquo;when&rsquo;.&rdquo;
Yet he was also pragmatic about the realities. &ldquo;The world might not be ready just yet,&rdquo; he admitted. &ldquo;I mean, I&rsquo;m Asian, and everyone&rsquo;s fighting for a diverse Bond&mdash;sorry, white guys.&rdquo;
Still, the fact that he&rsquo;s even part of the conversation is, in his view, an honour. &ldquo;It&rsquo;s flattering. Truly. But I think there are other roles within that universe that could be just as exciting&mdash;without the baggage.&rdquo;
Denis Villeneuve Confirmed as Bond&rsquo;s New Director
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While the search for the next Bond actor continues, the creative direction of the franchise has officially changed hands. Acclaimed filmmaker Denis Villeneuve, best known for Dune and Blade Runner 2049, has been confirmed as the director for the next James Bond film under Amazon MGM Studios.
The studio, which gained creative control of the Bond intellectual property in a historic deal, aims to reinvigorate the franchise with Villeneuve&rsquo;s bold, visionary style. He will also serve as executive producer alongside Tanya Lapointe, with producers Amy Pascal and David Heyman attached.
&ldquo;James Bond is sacred territory for me,&rdquo; Villeneuve said in a statement. &ldquo;Some of my earliest film memories were watching Sean Connery in Dr. No with my father. This is a huge responsibility&mdash;but also a massive honour.&rdquo;
Amazon MGM&rsquo;s decision marks the first full reboot of the franchise since acquiring MGM for $8.5 billion in 2022. With Barbara Broccoli and Michael G. Wilson stepping back from producing duties, the series is poised to enter a new creative chapter.
So, Who Will Be the Next Bond?
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With Daniel Craig&rsquo;s tenure officially over following No Time to Die, the hunt for his replacement continues. Names floated over the years include Idris Elba, Tom Hardy, Henry Cavill, Reg&eacute;-Jean Page, James Norton, Richard Madden, Damson Idris, Cillian Murphy, and Aaron Taylor-Johnson.
Yet, with Villeneuve&rsquo;s recent appointment, the direction of the next film could influence casting in unexpected ways. Will the next Bond stick to the tried-and-tested formula&mdash;or will the studio opt for someone who breaks convention entirely?
Golding&rsquo;s Spy Future Still on the Table
While Golding may not want to carry the Bond mantle, that doesn&rsquo;t mean he&rsquo;s ruling out roles in the spy genre altogether. &ldquo;I&rsquo;d love to play a secret agent, just maybe not the secret agent,&rdquo; he said with a grin.
His honesty about the pitfalls of the role is a rare glimpse into the internal debates actors face behind the scenes. For now, the search for 007 continues&mdash;but perhaps the real evolution of the Bond universe lies not in who plays him next, but in how the story itself evolves.
Hard to Beat the Swagger of Daniel Craig
One thing is certain&mdash;whoever steps into the role next will have big shoes to fill. Daniel Craig brought a gritty elegance to the character that redefined Bond for a new generation. His mix of raw physicality, emotional depth, and that unmistakable swagger made him arguably one of the most memorable 007s since Sean Connery.
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But No Time to Die not only closed the chapter on Craig&rsquo;s portrayal&mdash;it killed him off entirely, a shocking creative decision that has left fans divided and the franchise in uncharted territory. Replacing that kind of legacy isn&rsquo;t just about casting&mdash;it&rsquo;s about redefining what Bond is in a post-Craig world.
What are your thoughts on this? Let us know in the comments. 
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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The iconic role that “nobody” wants? 

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Henry Golding On the James Bond Role: “A Nightmare Every Actor Fears”

Ever wondered how your online orders arrive so swiftly&mdash;especially in the notoriously congested Klang Valley? As e-commerce continues its meteoric rise in Malaysia, consumers expect ever-faster deliveries. Yet few pause to consider what powers this rapid logistics chain behind the scenes. Beyond the delivery bikes and vans weaving through traffic lies a new, unexpected player: Malaysia&rsquo;s Light Rail Transit (LRT).
Now, an innovative local logistics firm is transforming how parcels move across the city&mdash;bringing deliveries onto the rails.
A Green Shift in Urban Logistics
<img src="https://r2.myc.my/8f617aef1eec97c9eb67fa302b2361403cb2b2649b1bf745de9a416db4a65177" /> Pfeiffer (left) and Gueguen at Diolko&rsquo;s hub at Putra Heights LRT station.
According to the Asian Transport Observatory, Malaysia&rsquo;s transport sector emitted 66.35 million tonnes of carbon dioxide in 2023, accounting for nearly a quarter of the nation's total. The surge in online shopping only worsens these numbers, with delivery vehicles making countless trips daily.
Enter Diolko Logistics Malaysia Sdn Bhd. Based in Cheras, the company has partnered with Prasarana Malaysia Bhd to pioneer an eco-conscious delivery system that utilises the existing LRT network and electric vehicles (EVs). The result: reduced emissions, less traffic congestion, and faster delivery times.
Since its soft launch in July 2023, Diolko has successfully delivered over 6,000 parcels via this hybrid rail-electric model&mdash;cutting carbon emissions by an estimated 70%.
How the Delivery System Works
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Diolko&rsquo;s system currently centres around three LRT stations: Awan Besar, Ara Damansara, and Putra Heights&mdash;the latter functioning as the central sorting hub. Parcels are first collected from clients using electric vans, then sent to Putra Heights for sorting and classification.
The sorted parcels are loaded into secure, APAD-certified trolleys, labelled by destination, and transported via LRT during off-peak hours (post-11pm) to avoid passenger disruption. Each train can accommodate up to six trolleys per trip, with clear separation from commuter areas.
At the destination stations, electric motorcycles take over the last-mile delivery. Diolko currently employs two electric vans and eight e-bikes, with plans to expand both fleets.
Expanding in Phases
Diolko has outlined a three-phase expansion strategy. Phase One will see full deployment along the Kelana Jaya and Ampang/Sri Petaling LRT lines, with new hubs at Gombak and Ampang stations by the end of 2025.
Phase Two will extend to major MRT lines, including Kwasa Damansara, Kajang, and Putrajaya, targeting urban centres like Cheras and Kota Damansara. Phase Three will encompass the upcoming LRT3 line&mdash;set to serve Shah Alam and Klang upon its September 2025 launch.
The ultimate goal: a network of at least 15 strategic delivery hubs across the Klang Valley by 2027.
Room for Growth, But Not Without Concerns
Despite praise for its sustainability, experts caution that scaling the model may be challenging. Dr Dazmin Daud, an assistant professor at UCSI University, noted that LRT infrastructure was never intended for freight.
&ldquo;As parcel volumes increase, the system may hit capacity constraints. Trains are built for people, not parcels,&rdquo; he said. He also emphasised the operational limitations tied to off-peak scheduling.
However, Dazmin acknowledged that leveraging existing infrastructure avoids additional maintenance costs, as rail operations are already covered by Prasarana. He advised the government to carefully vet future logistics operators to ensure efficiency and avoid service delays.
Practical Barriers: Space and Reach
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Some critics point out that several LRT stations&mdash;especially older or centrally located ones&mdash;lack sufficient space for handling parcels or receiving e-bike riders. Furthermore, not all areas are well-connected to the rail network, with towns like Rawang still out of reach.
Kuugan Thangarajoo, a logistics hub manager, suggested that increasing the number of coaches or introducing cargo-specific trips could help. However, he warned this might interfere with regular passenger services. He also advocated for the introduction of parcel locker systems or self-collection points to improve accessibility.
Diolko&rsquo;s Chief Operating Officer, Onno Pfeiffer, stressed that not every LRT station would be turned into a logistics hub. Stations with limited space or high footfall, like KLCC, are intentionally avoided.
&ldquo;We prioritise stations with better accessibility, like Bukit Bintang, to serve wider areas from a single point. Our trolleys are loaded in under 30 seconds. If we miss a train, we simply wait for the next one&mdash;we never disrupt passenger services,&rdquo; Pfeiffer said.
Prasarana&rsquo;s Vision: Urban Transport Meets Smart Logistics
Public transport operator Prasarana believes the integration of parcel logistics and urban rail can transform Malaysian cities.
&ldquo;By moving goods via rail, we&rsquo;re not only reducing congestion and emissions, but also building a foundation for multimodal logistics systems,&rdquo; the company said in a statement.
Plans are underway to reimagine select stations into multi-use hubs, featuring cargo bays, smart lockers, and integrated digital platforms. Prasarana also aims to incorporate virtual hubs and more EVs to further cut emissions and delays.
Importantly, the operator remains open to collaborating with other logistics providers&mdash;paving the way for an ecosystem where public transport and parcel delivery coexist. As Diolko&rsquo;s urban delivery model continues its rollout, it may become a regional benchmark in sustainable logistics&mdash;showing that the trains we ride to work might one day be delivering our parcels too.
What are your thoughts on this? Let us know in the comments. 
&nbsp;
*Sources: Visual and Reference Credits to Social Media &amp; various cross-references for context.
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Spot a train running late at night? It might be delivering your next online order.

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